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DAVID: That first time that I speak to her… I just fancied her.

VICTORIA: I just fancied him, it was as simple as that. Yeah, I mean also we both come from families that work really hard. Both of our parents work really hard. We’re very working class.

DAVID: Be honest.

VICTORIA: I am being honest.

DAVID: Be honest.

VICTORIA: I am being honest.

DAVID: What car did your dad drive you to school in?

VICTORIA: So, my dad—

DAVID: No, one answer.

VICTORIA: My dad—

DAVID: What car was it?

VICTORIA: Alright, it’s not a simple answer, because—

DAVID: What car did you get your dad to drive you to school in?

VICTORIA: It depends.

DAVID: No, no, no, no, no.

VICTORIA: Okay, in the 80s my dad had a Rolls Royce.

DAVID: Thank you.

FOURTEENTH DOCTOR: Could you pull?

DONNA: Could I what?

FOURTEENTH DOCTOR: And you.

MELANIE: What do you mean?

FOURTEENTH DOCTOR: Pull. Just pull, each way. I don’t know, feels different this time. [GRUNTS] What?!

DONNA: What?

TOYMAKER: What?

FIFTEENTH DOCTOR: No way.

FOURTEENTH DOCTOR: You’re me.

FIFTEENTH DOCTOR: No, I’m me. [LAUGHS] I think I’m really, really me. [LAUGHS] Oh, I am completely me! Don’t just stand there, push!

FOURTEENTH DOCTOR: What?

FIFTEENTH DOCTOR: Push!

FOURTEENTH DOCTOR: Does this work?

FIFTEENTH DOCTOR: I don’t know.

[THEY BOTH LAUGH]

FIFTEENTH DOCTOR: So good! Now, someone tell me what the hell is going on here.

KATE: Excuse me, sorry, but—

SHIRLEY: How did that happen?

FIFTEENTH DOCTOR: Bigeneration. [LAUGHS] I have bigenerated. There’s no such thing, bigeneration is supposed to be a myth but look at me. Myth, myth, myth! Mel, what do you think?

MELANIE: I think you’re beautiful.

FOURTEENTH DOCTOR: Still beautiful?

MELANIE: Yeah.

TOMMY: I were looking at them pictures of Becky… and Ryan. His whole life, from when he were a baby. All them years I never even knew him. And do you not what I realised? I realised… I realised what a nice life he’s had. What a nice life you’ve given him. I hated you. I hated you for not telling me I had a boy. But last night, I had a glimpse at what a nice life he’s had. And I don’t hate you anymore. I forgive you. And I’m sorry. I’m sorry I didn’t treat Becky any better.

CATHERINE: And you forgive me? You delinquent fuck. You have no idea what you did to Becky. And you forgive me?

TOMMY: I loved her.

CATHERINE: You crippled her. You reduced her to nothing with your endless, endless abuse and your nasty little threats. This bright…. beautiful kid… reduced to nothing because of a non-entity like you.

[BILL & FRANK LAUGHING]

BILL: I’m sorry

FRANK: For what?

BILL: Getting older faster than you

FRANK: I like you older. Older means we’re still here.

[BILL HOLDS FRANK]

FRANK: What?

BILL: I was never afraid before you showed up

FRANK: Not on the strawberries!

[FRANK LAUGHS]

BILL: Right.

DANIEL BATH: You ready?

CLAUDIA WINKLEMAN: Hi Lucy. Hi Lucy, it’s Claudia.

DANIEL: It’s Claudia!

CLAUDIA: Hi darling, lovely to meet you. Thank you for coming.

DANIEL (Confessional): Music is the way that she communicates. And that’s how she makes her place in the world.

DANIEL: Now there’s a big step coming up to the piano. Ready, big step. Good girl. Well done. C’mon sit down in the middle. Find the peddle.

CLAUDIA: We should say, that often at the end of a performance…

CANDICE: Yes

CLAUDIA: Lucy covers her ears

CANDICE: She likes the applause, but she doesn’t like the sound of the applause

CLAUDIA: Yeah

CANDICE: So her fingers go in her ears for sensory reasons.

CLAUDIA: I don’t have to tell people not to.

CANDICE: She loves the applause

CLAUDIA: Okay fine.

CANDICE: 100 %

DANIEL: Ready? In a minute you’re gonna play Nocturne in B Flat minor by Chopin. Should she start playing? See. Here we go

[Lucy begins to play piano]

LANG LANG: It’s unbelievable that she can play this piece. How - how, I mean, how - how does she study? I mean, how, I mean it’s incredible.

SIOBHAN: Oh sorry, just… Mom?

KENDALL: Dad. He’s in trouble

SIOBHAN: What? What’s happened?

KENDALL: He’s on the plane. And he got… I don’t it’s bad. And uh they’re doing chest compressions.

SIOBHAN: What? What, what Ken?

KENDALL: Come this way. I don’t know everything. He’s with Tom and Frank and Karl and they’re on the line to doctors. And uh….

SIOBHAN: Okay

KENDALL: I don’t know, he was in the bathroom and he had trouble breathing. I – I don’t know and – and they start doing chest compressions. He was still breathing a minute ago, but it’s, it’s very bad.

ROMAN: So, Shiv is coming

SIOBHAN: Okay uh..

ROMAN: They – they – they think he’s gone, they think he’s gone.

SIOBHAN: What happened? What do you mean?

ROMAN: They – they think Dad died.

SIOBHAN: What?

ROMAN: Yeah…

SIOBHAN: No!

ROMAN: I’m sorry

SIOBHAN: No I can’t have that

KENDALL (on the phone): Hey – hey, Tom, can she do it? Can Shiv uh speak to him?

ROMAN: He’s been putting us by Dad’s ear, to speak.

KENDALL: Can you put it to his ear? Okay, I’m – I’m, I’m giving you to Shiv.

SIOBHAN: What?

TOM: Hey Shiv I’m putting you by his ear.

SIOBHAN: Okay. Uh is he hearing? Is he still hearing?

TOM: Uh, I don’t know but I’m putting you there. Okay. You’re by his ear, you can go now, you can talk to him now.

SIOBHAN (on the phone): Oh – oh – okay. Hey. Hey Dad. Uh hello. Um, you’re gonna be okay. And I’m sorry, is – is he dead?

Roman: I don’t know.

SIOBHAN: I don’t know if he’s dead. Is he fucking dead?

ROMAN: I don’t know

SIOBHAN: Tom? Tom?

TOM: Hey – hey.

SIOBHAN: Is he even alive?

TOM: I don’t know honey

SIOBHAN: Are you just being nice to me? Is he gone?

TOM: I don’t know. He - we don’t know. We don’t know.